How GPT-3 Wrote a Movie About a Cockroach-AI Love Story


With the movie, I like how you’re sitting there and you’re like, oh what am i seeing Why is the power stone described as looking like a burrito? I like the feeling that you get serious and then something turns you off so you’re like, is this serious or a joke?

I wanted to develop a romantic story. It’s a form of Stockholm syndrome: you’re not aware of how much you’re controlled by the algorithm. You are so drawn in that when the algorithm does something really bad, you try to save it. I love that the part about bitcoin was written by GPT-3, I think because it was trending last year. I was very, very, very surprised.

You trained GPT-3 using Chinese novels translated onlineprayer books, American and Chinese ideological texts, and walden two, a 1948 utopian novel by behavioral psychologist BF Skinner. What did GPT-3 do to your fonts?

Online novels are basically S&M novels, similar to Fifty Shades of grey. In the Chinese version, instead of falling in love with a CEO, the characters mostly fall in love with people who have power, such as the third generation of red aristocrats. The writing is very bad, and they have many chapters. I think all the romantic parts of the script come from that and the repetitiveness of the language. I have also fed him American and Chinese ideologies. So it’s creating a kind of fantasy land. Sometimes you think he’s talking about America and sometimes you think he’s talking about China.

I’m very much into Skinner’s idea of ​​behavior theory. His novel walden two it implies that if you only reinforce positive behavior, you may not need to punish people. You will have an organic system where people only do positive things. This movie is almost like a simulation, like Walden Two has many, many versions. That’s why the town is called Walden XII.

Why roach the villagers?

It seems to me that we are just data. It is like cockroaches: there are many of us and it is very easy to be replaced.

In the film, AI “shepherds” impose something akin to a social credit system among the population. The AIs have different personalities: a young goth/punk migrant worker who is part of the shame subculture (“intelligent”), a super-nationalist wolf warrior and the intellectual the cockroach tries to save. How did they come up with it?

I wanted them to be different classes: superheroes, workers who are being replaced by AI, outsourced farmers and the privileged class, etc. Indeed, they were inspired by both the American and Chinese dreams, one emphasizing social mobility and the other making China great again. . In a dystopian future, much worse than a “filter bubble”, Big Data can give the government much more power to influence every day activity, and you won’t even feel like you’re being watched. And on the other hand, in the fantasy land of Walden XII, there are mute AIs inspired by the kind of middle-aged retired woman called “Chaoyang lady” who does square dances. He has a notebook—it’s completely analog—and he writes down what his neighbors are doing. I was very surprised with this super, super high-tech algorithm next to this raw spy on your neighbor. What is more powerful?



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